青(📣)年画(🅿)家岸春自小(🏅)在(zà(🆗)i )内蒙古长大(🤹)(dà )，当(🍍)地的风土人(🔽)情造(⤴)就了他的艺(🌚)术(shù )才(cái )华(huá )。然(⬆)而在他(tā )的内心一直有着一(yī )块(kuài )难(🏴)(nán )以抚平的(de )伤(shā(🤨)ng )痕，过早缺失的母(🔦)爱让这位人前(qiá(🥂)n )光(guāng )鲜(xiān )的艺术(🍘)家在情感里(⏰)陷入(🗜)迷失(🛶)，常(cháng )以(yǐ )酒(🕸)精为(👘)伴(bàn )麻(má )醉(⏲)自我(🔖)。当受一位蒙(🧠)古老(🙀)人所托(tuō )，为(💶)他英(👂)年早逝的母(🦋)亲画(🤒)一幅肖像(xiàng )，这(zhè(🛫) )个母(🐢)亲的(de )肖(xiāo )像(🏺)却怎(🐈)么都画不出(🎲)神(shé(⛽)n )。对于母爱(à(🚓)i )缺(quē )少感触与理(📘)解，成了他无法落笔(bǐ )的(de )难(nán )题。心烦意(yì )乱之时，岸春遇(🕣)到(dào )了(le )单身妈妈(😷)如(rú )西(xī )，如西和(💝)儿子的温情不仅(🔝)让他感(gǎn )受(👇)(shòu )到(🕠)(dào )母爱的温暖也(😓)让他(😫)找寻到了爱(🗣)(ài )情(🌔)(qíng )的(de )味道。但(🔐)(dàn )是(🙀)(shì )，母亲到底(👭)为什(🗑)么会从小抛(👈)弃自(🐍)(zì )己(jǐ )，在日日夜(🐴)夜的(🎯)叩问中，也在(👙)如(rú(🌚) )西(xī )的(de )介入(👍)下，似(🤓)(sì )乎有了意(📱)想不(🎹)到的答案，岸(💪)春也(yě )踏(tà )上寻母之路。母亲的肖像到底能(néng )否(fǒu )兑(duì(🦑) )现给蒙古老(lǎo )人(📖)的期盼？岁月里(📏)母(mǔ )爱的真相会(💲)(huì )怎(zěn )样揭(♒)开？(🐭)原来，岸春的母亲(📻)一直(📚)(zhí )以(yǐ )一(yī(❤) )个特(🕦)殊的身份出(🍻)现在(👅)他的生活(huó(🏄) )里(lǐ(🚂) )！面对时间(jiā(👔)n )、面(🚦)对生命的脆弱多(🌖)变，只(🤔)想向岁(suì )月(📤)(yuè )祈(🍪)求，时光你慢(📂)些走(🔰)，让儿子还(há(😿)i )能(né(🎥)ng )记(jì )下母亲(😛)的(de )容(róng )颜......

A newly reunited young couple's drive through the Pacific Northwest turns into a nightmare as they are forced to face nature, unsavory locals, and a monstrous creature, known to the Native Americans as Oh-Mah.

特工尼科洛·华莱士（Troy N. Ashford 饰）是(shì )一(yī )位为政(💌)府工作的刺客，专(💖)门刺杀(shā )人(rén )尽(🛠)(jìn )皆知，臭名(míng )昭(🛢)著的恐怖分(🏣)子。本(🉐)(běn )已打算金盆(pé(🐅)n )吸(xī(〽) )收的尼科洛(🌊)在压(🗡)力下决定执(⚫)行最(🗣)(zuì )后(hòu )一(yī(🈂) )次，也(🏗)是最致命的(🎍)一次(🐠)刺杀行(háng )动(dòng )，杀(🏎)死残(🤨)害(hài )他(tā )的(📩)家乡(☕)格鲁吉亚的(🥟)疯子(🚌)。当两个(gè )联(👰)(lián )邦(❔)卧底被杀后(🚌)，华莱士的师傅，李(lǐ )大(dà )师（弗雷(léi )德(dé )·威廉森 Fred Williamson 饰）(😪)和他的孪生兄弟(🦁)尼(ní )希(xī )米（Troy N. Ashford 饰(🔝)）也卷入了纷争(🦂)。尼科洛(luò )身(👌)(shēn )边(😺)(biān )的人都卷入(rù(🐮) )了这(💸)场致命游戏(🌖)，这(zhè(🏰) )也将揭露他(🐞)(tā )可(👷)(kě )怕的过去(🐢)......

Stephen Sondheim’s legendary musical is staged for the first time at the National Theatre and broadcast live to cinemas.

英(🌰)国知名舞台(😐)剧《鬼(🌆)(guǐ )故(gù )事(shì )》将被(⏫)搬上(🍗)大银幕，新片(👚)主演(🏔)(yǎn )马(mǎ )丁(dī(✏)ng )·弗(🕌)瑞曼(màn )、乔(🎂)治·(📱)麦凯、安迪(👟)·尼曼等。尼(ní )曼(màn )继续出演他在剧中的角色古德曼(mà(📧)n )教(jiāo )授(shòu )。古德曼(🐒)(màn )是(shì )一位心理(🐮)治疗师，从不相信(🧐)鬼怪(guài )之(zhī )说；(🐳)然而三个病人的(🎛)“见鬼(🐰)实录(lù )”让(rà(🤷)ng )他对(🌦)原有信(xìn )念(🤖)产生(😺)了怀疑。作为(🥏)(wéi )最(🆙)受欢迎的(de )惊(🐝)(jīng )悚(🔓)戏剧之一，该剧曾(📁)在全(🐁)球多地(dì )进(📧)(jìn )行(🐮)(háng )巡演。

奧馬(🐦)爾在(🌌)倫敦過着富(👭)裕(yù(🖥) )生(shēng )活(huó )，還(💐)有一(yī )年(nián )就大學畢業，一 切看似安好。然(rán )後(hòu )忽然一(🌴)天感召來了，他無(📳)法再忍(rěn )受(shòu )波(🐑)(bō )斯尼亞大(dà )批(🗻)(pī )穆斯林被虐殺(🔈)的報道和影像，要(🙌)(yào )做(🛶)(zuò )點什麼改(💘)變世(🔞)界。真人真事(😮)改編(🦅)(biān )，呈(chéng )現恐(💐)怖份(🌵)子(zǐ )的成魔(😝)歷程(🔗)；不從英(yīng )美主(🔪)流角(🎚)度(dù )去(qù )看(💵)，也不(🔨)全循伊斯蘭(🍰)觀點(👶)，究竟(jìng )可(kě(⛰) )以(yǐ(🥜) )折射出一幅(🆙)怎樣的圖像？觀眾(zhòng )跟(gēn )隨(suí )攝影機見(jiàn )證(zhèng )奧馬爾(🚫)在巴基斯坦山區(📽)受訓，在(zài )新(xīn )德(❓)(dé )里綁架視為沉(🌞)默同謀的歐美遊(🚉)(yóu )客(kè )，策劃謀殺(🆗)(shā )《華(🌘)爾街日報》記(🎚)者，以(💒)致最後就(jiù(🍡) )擒(qí(🛒)n )。的確，人在做(🤥)天在(⤴)看，問題是(shì(🈺) )哪(nǎ(🛌) )一(yī )個天在看。

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.